The moment has finally arrived for up and coming New Orleans contemporary R&B singer August Alsina to take center stage. Sure, the 21-year old represents the new generation who prefer boldness to subtlety, but ultimately the brasher style suits the hardships he’s enduring in his personal life. “Through the pain”, Alsina seems to find the positives, even if it seems overcome with pessimism on full-length debut Testimony. A true testimony the LP ends up being, Alsina builds off the momentum of 2013 EP Downtown: Life Under the Gun, upping the ante.
“Testify” sets the tone for Testimony exceptionally, with August Alsina portraying a snapshot into his life. While “Testify” isn’t necessarily the best track from the LP, it is a vital one because of how it fits into the concept. Calling it relatable might be a stretch as the only one who has experience what ‘August Alsina’ has experienced is August Alsina, but it does allow for the audience to connect. “Make It Home”, featuring Jeezy, definitely extends upon “Testify”. “I don’t always do what I should, but I do what I gotta do,” sings Alsina on his first verse, later adding “See I done dodged a couple shots, served a couple blocks / hit a couple corners tryna shake a couple cops.” Knowing the potential repercussions of his risky actions, Alsina adds “If I don’t make it home tonight / tell my mama that I lover her…take some money to my sister.” As realistic and dark as it is, “Make It Home” is a great showing; there’s something alluring about the no BS approach.
“Right There” has a difficult act to follow, but continues to convey a painful, candid narrative. The repetition of the chorus is gimmicky, which takes a smidgen or so away from the cut. Still, Alsina shows off his nuanced pipes and makes you happy how he has ‘came up’ from the bottom. “You Deserve” makes brilliant use of an L.T.D. sample (“Love Ballad”). Alsina states on the intro “This is for the girl down the hall / misused and abused…pick your head up love, smile / this is for you.” Even though “You Deserve” is another song with pain behind it, Alsina spins the message positively: “But I’m just saying / you deserve better, I’m saying, you deserve better.” Women who have been battered and bruised should truly embrace the prudence that Alsina shares here.
“No Love” is actually a fascinating ‘anti-love’ song. It is actually semi-romantic, but because of August Alsina’s reservations towards relationships (“Believe we had a great night but I ain’t the type to tell you that I miss you, sh*t”), there truly is “no love” in the relationship sense. Alsina’s ideas of love lacks refinement in many eyes: “So just wrap a couple of bands with a n***a like me / Loving ain’t the same with a n***a like me / you use to them but ain’t no loving me / I hear what you would say and girl it’s clear to see.” Companion and follow-up “Porn Star” definitely asserts and confirms Alsina’s physical contributions, avoiding love. Face it, “She ride me like a porn star” is definitely nowhere near the definition of chivalry. But you can’t knock A.A., he already made it clear it’s all about hooking up, not steady and certainly not marriage.
After riding like a “Porn Star”, things return to an even darker mood on “FML”. Pusha T kicks off this notion with his opening verse: “Wake up feeling like f*ck my life / life’s a b*tch, she better f*ck me right…” Alsina plays off of it, proclaiming “Let me tell you ‘bout myself, I’m not scared to die / Been through so much sh*t, sometimes I wanna be in the sky.” As much a negative noodle as Alsina is, he ‘testifies’ on the chorus: “I never thought I would be here, I never thought I would get this far / If they say life’s like a beach chair, why am I sitting in the dark.” Generally, those who employ the overused acronym use it too loosely with little support to back it up; Alsina seems to have a case.
“Grind & Pray / Get Ya Money” continues to champion both the street and the power of prayer. Alsina appears to be spiritually driven, but he also seems heavily invested in the streets as well. The “Get Ya Money” portion exemplifies this where Alsina doesn’t fault ‘her’ for being on her grind, despite how many others will judge her: “You work hard for it, it’s yours / work that body baby it’s yours / I ain’t judging you, go and get your money.” Fabolous further chips in, “My little mama hustle harder than a lot of these n***as.” Yep, that definitely nothing to do with the church – at least the one with pews, and altar, and a pulpit…
On “Ghetto”, Alsina shows a sense of pride that his girl is from the ‘ghetto’. While the singer may over-glorify the ghetto – at least to those clueless about the ghetto – there’s plenty of redeeming qualities and takeaways from “Ghetto”. With his own rough and tumble life, perhaps Alsina respects the same street savvy in his own relationship, hence loving that his boo epitomizes the ghetto – they relate to one another. After all, he does sing “Ain’t afraid to let it show / baby, go on let them know / you out the ghetto / better let them know, you from the ghetto…” On the version included here, Yo Gotti assists, setting up “Ghetto” (“She got a Bugatti body, yeah she a beast in the streets”).
“Kissing On My Tattoos” gives Testimony a slow jam that possesses more substance than its title might suggest. While tattoos have become much more socially acceptable, there is still the sentiment that they represent edginess. Even though “Kissing On My Tattoos” goes softer than the majority of Testimony, Alsina still wants everyone to understand he keeps it hood. Rather than merely having her ‘kiss on my chest’, he has her ‘kiss on my tattoos’, a symbol of being a bit of a bad boy – or bad dude. Keeping love and sex on the mind, “Ah Yeah” finds Alsina going even softer – no tattoos to cling onto this time! Dedication seems to be a dominant factor on his mind as he sings to his girl: “You shine with picture perfect beauty, show it off.” “Ah Yeah” is no new concept, but it is great to hear AA concede some of his edge.
“Mama” definitely shows Alsina has some substance to back up Testimony. On the verses, the singer lists the teachings his mother instilled within him: “Mama said stay out of trouble / Mama said don’t be a fool / Mama said stay in somebody’s church / Mama said boy stay in school.” While “Mama” isn’t the most electrifying track from Testimony, it is hard to deny how meaningful and touching it is, particular the chorus in which Alsina sings, “Mama I made it… I ain’t gonna stop now cause Mama I made it / and I hope I made you proud.”
“Benediction” proves to be even stronger and equally touching. Throughout the narrative, the audience is given an account of the hardships that Alsina has endured. If one was to question Alsina’s edginess, “Benediction” gives and understanding as to one Although the hook is from a dark place, it’s nothing short of addictive: “Started off in the streets / we would take collection from the fiends / People dyin’ all around me / So I gave you my testimony…” Rick Ross provides a sound assist, spitting superbly over the soulful, churchy production work. Sure its not all from the ‘good book’, but it is what it is (“Pray for benediction, pretty women on my premise / Condo out in Cabo… Gold around my neck I’m ballin’ for these final minutes.” Amen… I think.
Although “I Luv This Sh*t” previously graced Alsina’s EP Downtown: Life Under the Gun, the monster single featuring Trinidad James (“All Gold Everything”) never grows old. Sure, we could’ve cut the molly-loving MC, but his guest verse suits the vibe. Alsina continues his foul mouthed-ness (is that even a word), but the real talk mixed with the slower, horn-accentuated production is a match made in heaven, albeit quite blasphemous (“God dammit I love it, I love it… So I’mma keep on smoking cause I love this sh*t / I’mma keep on grinding cause I love this sh*t / she tell me keep f*cking cause I love this sh*t and I love it…”) “Numb” concludes the standard edition of Testimony – club style. Alsina trades Trinidad James for B.o.B and Yo Gotti. While the cut is slickly produced, it is a bit more ‘swag’ than substance.
Ultimately, Testimony showcases the great amount of potential that August Alsina has to offer as an artist. Vocally, Alsina easily has the pipes to succeed. Additionally, he has the backstory to truly fuel the fire. Sure, Testimony isn’t a perfectly crafted album, but it’s better more often than not. There are plenty of notable songs – filled with pain as well as the triumph of resolve. Maybe it’s not beautifully poetic, but isn’t grittiness a different take on beauty (or something like that)?
“Make It Home” ft. Jeezy; “FML” ft. Pusha T; “Ghetto” ft. Yo Gotti; “Benediction” ft. Rick Ross; “I Luv This Sh*t” ft. Trinidad James
August Alsina • Testimony • Def Jam • US Release Date: April 15, 2014