Maggie, Jim and Don...and Lisa
Also at the NYE party, Don decides that he's going to set Jim up with Maggie's roommate Lisa, over Maggie's repeated objections. Lisa, with her Rod Stewart ringtone and questionable choice of dress, is obviously not great with the opposite sex. Yet Don won't take no for an answer and somehow, Jim agrees to go on a date with Lisa.
Afterward, Maggie asks Jim about the date, and he tells her that he doesn't think he'll be seeing Lisa again. Yet when Maggie relates this information to Don, he replies that Lisa told him that she and Jim were going on a second date. Don practically dares Maggie to call Jim, and as she does so, he calls Lisa so that Maggie can hear that Rod Stewart ringtone in the background and realize she interrupted a rather private moment between Jim and Lisa.
Maggie is incensed that Jim lied to her and after a few pointed remarks thrown his way at work, the two of them have their first fight over it, with him pointing out that he outranks her and saying she should talk to her boyfriend, At least he apologizes for lying to her and says it won't happen again.
Don Finally Becomes Likeable
As you may have figured out if you've been reading along with me this season, I'm not too fond of Don. He has come off, thus far, as a jerk; it's not hard to figure out how he got along with a pre-Northwestern spiel Will McAvoy. In this episode, however, the show finally lets Don be human for a change.
When Reese (Chris Messina) is tearing into everyone and their brother for not pronouncing Congresswoman Giffords deceased, it's Don who steps up to him. "She's a person," he retorts. "A doctor pronounces her dead, not the media." It's a perfect one-liner delivered so well by Thomas Sadoski that I'll admit I clapped after he said it.
At the episode's end, Will tells Don that he's a newsman and that if Will ever says otherwise, Don has the right to punch him in the face. I'm in agreement with him there. Let's hope that The Newsroom continues to show us more of Don's colors.
Charlie has his hands full this episode. Confronting Will about being tabloid fodder, he blurts out that "Fox News doesn't own TMI; we do" - a sentence that causes him to recall his loaded conversation with Leona Lansing from last week. (If you've forgotten it, the show decides to replay that entire clip for you, making it stick out like a sore thumb.)
He realizes that the tabloid scandal is the manufactured "context" that Leona was threatening him with, and it's the first shot in her plan to fire Will. Nina has been getting her information about Will direct from Leona. Just like on Sports Night, we now have our antagonist from above.
At first, Will is incensed that Charlie knew Leona was aiming for his job and didn't tell him about it, but that doesn't last long. Determined to fight tooth and nail, he yells for Charlie and MacKenzie to join him in the studio after broadcast, and declares that if Leona wants him out of the anchor seat, she'll have to bring more than a couple of guns.
Four episodes into the season, we're now getting a better handle on The Newsroom's strengths, quirks, and its flaws. The best thing I can say about this show is that it reminds me of how excited I was to do the news. While the facts might not always be accurate (this still isn't a documentary), the emotions certainly are.
The show's at its best when it's about the news. It's less successful when we get into the characters' personal lives. This episode throws in a pair of unnecessary third wheels to make the two subplots even more of a mess. It was made clear by the second episode that MacKenzie isn't over Will and that Jim has feelings for Maggie; we don't need to have fights and/or scenes of pining every episode to remind us, especially since the show hasn't yet made either pairing that convincing.
Having said that, I do genuinely like these characters. Every time Will goes on a tear or a rant it's brilliant television, and I applaud Jeff Daniels for being able to deliver those mouthfuls of dialogue. Will is abrasive for certain, but he's not unwatchable.
On the other hand, I'd given up on Don until this episode, and I just hope that the show gives Thomas Sadoski more to do than just being the roadblock to the inevitable Maggie-Jim romance, because Sadoski seems like a good actor who just doesn't have the right material yet.
Much like the show it's about, The Newsroom is still trying to figure itself out. It's not perfect; there are things here that can be improved upon. But when it works, this is truly fantastic television. And when it's over, I'm absolutely left wanting more.
(c)2012 Brittany Frederick/Digital Airwaves. Appears at Starpulse with permission. All rights reserved. No reproduction permitted.