Today's Child Stars Struggle To Become Serious Entertainers
They are child stars that want to turn into more serious entertainers as they get older, hoping the fans that are also growing up will follow them into more adult ventures. They take on roles they perceive as "serious" or "artsy," they change their look to try to separate themselves from their younger image, and they often take behind-the-scenes hybrid titles as producers to get taken more seriously. Some fail, some succeed, some do one and then the other, and some fall into obscurity somewhere in the middle.
Josh Peck
With squeaky-clean Nickelodeon star Josh Peck's star turn in this Friday's gritty coming-of-age drama, The Wackness, he may just be another one in a long line, but undoubtedly he is just the first of this generation to test the waters.
When Josh first came into tween girls' consciousnesses in The Amanda Show almost a decade ago, he was a quick-witted, cheerful if chubby kid. Well-groomed and seemingly polite in his real life, he was non-threatening enough to warrant Nickelodeon to offer him a starring role in a partially self-titled sitcom called Drake and Josh.
After three years acting alongside Drake Bell, who very quickly got the "teen heartthrob" title of the duo, both boys decided to go their separate ways and branch out. For Drake, that meant capitalizing on what was already working (the swoon factor) by turning to music and a small role as the cute older brother in "Yours, Mine & Ours," but for Josh it meant completely reinventing himself, which is a risk for any actor to do, let alone one who had cultivated a very specific, very fickle fan following for a number of years.
After losing a bunch of weight, Peck looks like a new person, and that will definitely be an advantage to transform him into the slang-slurring, drug dealing, kid from the wrong side of the city in his new role in "The Wackness." For Peck, it is undoubtedly a pet project and has its roots in his own childhood, and that daring passion is not only something to be admired but also a recipe for success.
Cole and Dylan Sprouse
Peck may be out to prove he's not just comic relief and can actually handle a meaty character piece, and he wouldn't be alone in that. Cole and Dylan Sprouse may be best known for their roles on the Disney Channel's The Suite Life of Zack and Cody, but they have been working since they were babies, sharing the role of Patrick in Grace Under Fire, Julian in Big Daddy, and Ben in Friends.
As they've matured from elementary school-age kids to pre-teens, they've already expanded their horizons simply by branding themselves and creating a line of clothing and comic books. In 2004, they took on one of those aforementioned artsy films with The Heart is Deceitful Above All Things, but the attempt was premature, as their youth and inexperience really showed through their one-note interpretation of the confused character. It was just too much, too soon for such a jump in material, and with a script that was colorful with drugs, sex, cross-dressing, and violence, little girls and boys who watched them religiously on the Disney Channel certainly weren't brought into the theaters.
It has been only four years since the film was released, but in terms of adolescent maturity that practically makes them and their fans brand new people with new interests, new knowledge, and new boundaries. Yet the boys are regressing and returning to material made specially for the under 10 crowd with "The Kings of Appletown," a modern-day interpretation of Tom Sawyer and a "Suite Life" movie. Sure, they are exposing themselves to a whole new slew of young fans, but they are most likely alienating some of the ones who are now teenagers and ready to see the boys take on some high school comedies.
Miley Cyrus
Jamie Lynn Spears
Jesse McCartney
With the increasingly critical eye of today's audiences, let alone today's youth, perhaps it would be best if the majority of these stars took a page out of Natalie Portman's book, who once said that she didn't care if it was the "popular" decision, but she was going to take some time off from acting and go to college. She said it was more important to be smart than a movie star, but because in reality many child stars can't get past the typecasting of their youth, perhaps the smartest thing they can do to have a shot at being a bona fide movie star in their adult career is to take some time away. Transition from child to adult in private and come back a fresh, new person and a fresh, new actor.
Shia LaBeouf
Transitioning from child to adult in private and coming back a fresh, new person and in turn a fresh, new actor may be our advice, but one young star who probably wouldn't agree is Shia LaBeouf. Starring on Even Stevens when he was only 13 labeled him as the curly-haired goofball who seemed to annoy more than draw admiration. In 2006, just three years after his Disney Channel run came to an end, he had his own star turn in the meaty indie A Guide To Recognizing Your Saints, where he played a foulmouthed confused kid from the streets. Suddenly casting directors saw him as a man (and more importantly a leading man) at only 20 years old. Taking on psychological thrillers (Disturbia) and big-budget action films (Transformers, Indiana Jones and the Kingdom of the Crystal Skull) even garnered him attention from Steven Spielberg, who has been so adamantly vouching for the young star's talent and work ethic. It seems not even an odd, late night Walgreens arrest or a few smoking citations can hamper his plans as the first of his young peers to join the A-List (unlike how it affected Terminator 2 star Edward Furlong's career). LaBeouf has certainly set the bar high for what can be accomplished. That's a nearly impossible for thing for any actor to do, let alone ones who start so young!
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Story by Danielle Turchiano
Starpulse contributing writer
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