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k-os Joyful Rebellion Release Date: 2004 09 21 Label: Astralwerks Anyone familiar with the frazzled beats and rhymes of K-Os' 2003 debut should have expected an even more ambitious next step. Fittingly, Joyful Rebellion adds further colors to the Toronto-based artist's palette of both rapping and singing, and emphasizes musical flourishes that were only sketches on Exit. He begins the album as a man given the manual with which to save hip-hop. Is it from God? Angels? Aliens? Unclear. But K-Os' philosophy allows for the force to be both one and three -- a brand new trinity -- as long as that mandate serves to enrich the minds of the world and its MCs. Heady stuff. But it's brought with engaging passion from K-Os, and his hybridized musical backgrounds point the rap form in intriguing directions. "Emcee Murdah" laments artistic stagnation and crass commercialization over acoustic guitars and a chorus break straight out of Arthur Lee and Love; the wiry reggae of "Crucial" examines similar themes, and suggests that contemporary hip-hop's populist plateau has separated from its once-vibrant root system. One of K-Os' most interesting positions on Rebellion is how conscious he is of keeping hip-hop pure even as he experiments. The clattering snare loop of "B-Boy Stance" is straight out of New York City at the dawn of the 1980s. But there's restlessness even as K-Os embraces hip-hop's birthing elements. "It's so hard to remain authentic," he muses over the cut-up intro, which makes his B-boy stance as much comforting haven as it is throwback. Likewise, his collaboration with en vogue Canadian indie songwriter Sam Roberts is qualified. "[I song'," he says in the liners for "Dirty Water." Maybe it is -- Roberts' warm electric guitar wraps around the jumpy electronic percussion, and the vocals cross fluidly between singing and rapping. But K-Os' hand-wringing isn't necessary, as "Water" is one of Rebellion's most succinct moments. Other highlights on the record include the pulsing, hoo-hooing nod to vintage Michael Jackson (the unfortunately titled "Man I Used to Be") and the crackling beats and swirling strings of "Love Song" ("Chaotical ambiotical fluid/The rap druid that's fluid..."). K-Os doesn't necessarily pursue Rebellion's themes far enough. But give him a break -- it's only the cat's second album. His genre meshes and organic raps do keep the conversation about hip-hop's revitalization open, and that's what's really crucial. Johnny Loftus, All Music Guide Tracks: Title Composer Time 1 Emcee Murdah 3:31 2 Crucial 3:25 3 Man I Used to Be 5:04 4 Crabbuckit 3:48 5 B-Boy Stance Brereton, Brown 4:00 6 Commandante 3:45 7 Love Song 4:18 8 Hallelujah 4:17 9 Clap Ur Handz 1:20 10 Dirty Water 4:14 11 One Hood (Jissy Homicide) 3:29 12 Parercutz 15:27 Releases: Year Type Label 2004 CD Astralwerks 2004 CD EMI Music Distribution 2007 CD EMI Music Distribution 2005 CD Labels

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