| Title | Composer | Time |
| 1 | Credo in US, for 4 percussionists | Cage | 12:41 |
| 2 | Flower, for voice & closed piano | Cage | 3:08 |
| 3 | Wonderful Widow of Eighteen Springs, for voice & closed piano | Cage | 2:21 |
| 4 | Forever and Sunsmell, for voice & 2 percussion | Cage | 5:48 |
| 5 | Amores, for prepared piano & 3 percussion~[part 1] | Cage | 1:06 |
| 6 | Amores, for prepared piano & 3 percussion~[part 2] | Cage | 3:11 |
| 7 | Amores, for prepared piano & 3 percussion~[part 3] | Cage | 1:21 |
| 8 | Amores, for prepared piano & 3 percussion~[part 4] | Cage | 3:37 |
| 9 | Trio, for 3 percussionists~1. Allegro | Cage | :57 |
| 10 | Trio, for 3 percussionists~2. March | Cage | 1:51 |
| 11 | Trio, for 3 percussionists~3. Waltz | Cage | 1:24 |
| 12 | Aria, for solo voice (any range) | Cage | 10:08 |
| 13 | Imaginary Landscape No. 4, for 12 radios, 24 players & conductor (March | Cage | 5:22 |
| 14 | sub Aria, improvisation (after John Cage's Aria) | Cage | 10:54 |