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Rush Review: Lili Fini Zanuck's only directorial effort thus far, adapted from a novel based on the experiences of former narcotics detective Kim Wozencraft, is a superbly corrosive portrait of the life of an undercover narc Jennifer Jason-Leigh. After naïve rookie-cop Leigh joins veteran narc Jason Patric, she adopts his practice of shooting whatever substance is necessary as a technique for nailing drug dealers. The liminal area occupied by those who do undercover work has always fascinated writers and filmmakers, for the profound, sometimes destructive transformations of identity that it can trigger. While the cautionary aspects of the film's drug tale are familiar, it's on the mark in its insights into the way in which the arrogance bred by expertise can lead to dangerously risky behavior in any walk of life. That's certainly the case for Patric, as he sinks into a full-blown addiction, dragging his partner-turned-lover down with him. As imperfect as these cops may be, the film also implies the corruption of the Texas legal system that is their matrix. Patric and Leigh both give powerhouse performances, with stinging depictions of the scabrous life of addiction. Also good are Special K. McCray, as a suave drug dealer, and Max Perlich as a police snitch. Eric Clapton's blues-laden score is perfectly suited to the terrain of Texas bars and roadhouses. Michael Costello, All Movie Guide

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