John Phillips


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John Phillips
Andy Warhol Presents Man on the Moon
Release Date: 2009 07 21
Label: Varese Fontana
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Andy Warhol Presents Man on the Moon is one whopper of an oddity in the annals of '70s music and theater. It is perhaps the most complex, diverse, and utterly strange recorded offering in the musical biography of John Phillips. Conceived after the Apollo 11 moon landing in 1969 as a theatrical and cinematic work by Phillips, he spent half a decade trying to realize a production that began in the Southern California with numerous producers, directors, and costumers. He eventually ended up in the hands of Andy Warhol, who hired Paul Morrissey as director; Morrissey was fired by Richard Turley in favor of a more experienced Broadway director. The show opened at the Little Theater on Broadway and closed five days later amid disastrous reviews. Phillips' other motivating factor here was creating a musical work as a vehicle for his wife, Genevieve Waite (whose unconventional voice was always a controversy in the realization of this production, but one has to wonder why, in retrospect). He was trying to develop her as a singer in her own right -- which never really happened on any major scale though she did record an album in the '70s. Originally conceived as a musical around the theme of global brotherhood, its plot consisted of a notion that the space mission left a giant bomb on the moon that could annihilate the entire universe. A space mission by an international collective of astronauts and scientists were to head to the moon to defuse it.

Yes, it sounds crazy, and it was perhaps. Yet the music left behind is anything but. What exists on the album is a whopping 38 tracks, the vast majority of them recorded in finished form by Phillips with a small but very effective backing band in places. There are also a handful of cuts with Waite performing as Angel, the female principal in the production, a few outtakes, five audience recordings from the actual Broadway performances, some video footage, and a .pdf file that includes the playbill and other oddities. Phillips' music is written in an earlier American style, ranging from something like late Vaudeville and early Broadway to contemporary folk music. Despite some of the deliberately campy aspects in some of the songs, the dreams of John Phillips are contained in songs such as "Truth Cannot Be Treason." In essence, this is for fans of the Phillips' solo recordings only, but that doesn't make it bad music; far from it; much of what is here is beautiful, haunting, wonderfully naive, and utterly canny in its cultural critique. For any Phillips' fan this set is utterly worth owning. This is early-'70s post-hippie pessimism (that the planet Earth could actually sustain life much longer) at its best. Thom Jurek, All Music Guide


Tracks:
TitleComposerTime
1Song of Introduction1:12
2Andy's Talkin' Blues2:54
3Midnight Deadline Blastoff1:33
4Mission Control1:42
5Oh Andy My Assistant:45
6Boys from the South1:56
7Speed of Light1:01
8Royal Astronomers Waltz (Canis Minor Bolaris Waltz)1:25
9If King Can Can, Who Can't? (My Name Is Can)1:24
10Welcome to the Moon Man1:47
11Star Stepping Stranger1:57
12Love Is Coming Back2:27
13Last of the Unnatural Acts2:33
14Penthouse of Your Mind1:11
15Wee Funkie Little Bats1:55
16Close Your Eyes1:35
17Handcuffs1:51
18Truth Cannot Be Treason1:43
19There Is a Place2:27
20Myth Amongst the Family of Man1:49
21Yesterday I Left the Earth2:55
22Stepping Through the Stars1:29
23Overture [Live]1:54
24Sunny, Sunny Moon [Live]2:52
25My Name Is Can [Live]1:37
26Star Stepping Stranger/Convent [Live]4:16
27Penthouse of Your Mind [Live]1:26
28Starburst [Live]3:02
29Girls4:13
30American Man on the Moon2:29
31Though I'm a Little Angel1:44
32Me Oh My, This Learning to Fly1:58
33Universe2:25
34Elephants and the Donkeys [Studio Recording Out-Take]:31
35Plastic Bouquets [Studio Recording Out-Take]2:59
36Plastic Bouquets [Video Rehearsal Footage]
37Penthouse of Your Mind [Video Rehearsal Footage]
38Champagne and Kisses [Video Rehearsal Footage]







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