Jerry Goldsmith:
Home > Music > G > Goldsmith, Jerry > Discography
Albums | Compilations | Singles | Other
Jerry GoldsmithJerry Goldsmith: 40 Years of Film Music Release Date: 2005 08 09 Running Time: 284:10 Label: Silva America Rating: ![]() |
This 57-track, four-CD set running nearly four-and-three-quarters hours and containing re-recordings of music composed by Jerry Goldsmith (1929-2004) for film and television scores over a period of more than 40 years was compiled from previously released Silva Screen collections, notably the 1989 album Goldsmith Conducts Goldsmith by the Philharmonia Orchestra (originally on Decca but reissued by Silva Screen in 2002) and the 1998 two-CD set The Omen: The Essential Jerry Goldsmith Film Music Collection by the City of Prague Philharmonic Orchestra. As such, it is not the ideal Goldsmith album, despite its length, because there are odd repetitions and omissions. For example, Goldsmith's music for the TV series The Waltons is part of a medley of "Television Themes" performed by the Philharmonia Orchestra, but it also gets its own separate track performed by the Daniel Caine Orchestra. Similarly, musical excerpts from the Oscar-nominated films The Wind and the Lion, Poltergeist, and Papillon are part of a medley of "Motion Pictures" performed by the Philharmonia Orchestra, but there are also separate tracks for each score performed by the City of Prague Philharmonic Orchestra. Goldsmith was nominated for 18 Academy Awards (he won only for The Omen), and it's a shame his nominated scores are not better represented: The Boys from Brazil, Star TrekŪ: The Motion Picture, Under Fire, Basic Instinct, and L.A. Confidential all get tracks of their own; but A Patch of Blue, The Sand Pebbles, Patton, and Chinatown are represented only in medleys; and Freud, Planet of the Apes, Hoosiers, and Mulan are not heard at all. (For those keeping count, his 18th nomination was for the song "Ave Satani" from The Omen.) But even if there is too much of some scores and none of others, this album does give a good sense of Goldsmith as a composer. Running in roughly chronological order, it shows his versatility (sometimes derided as facelessness), which allowed him to adapt to changing musical trends from the early 1960s to the early 2001s. Goldsmith could hold his own against the classically influenced writers who preceded him, but he also kept pace with the pop-influenced, synthesizer-savvy young composers coming up behind him, and that is made clear in this sprawling compilation. William Ruhlmann, All Music Guide
Tracks:
| Title | Composer | Time | |
| 1 | Blue Max Suite for orchestra~Overture | Goldsmith | 2:23 |
| 2 | Blue Max Suite for orchestra~First Flight | Goldsmith | 3:01 |
| 3 | Blue Max Suite for orchestra~The Bridge | Goldsmith | 3:14 |
| 4 | Blue Max Suite for orchestra~The Attack | Goldsmith | 5:09 |
| 5 | Blue Max Suite for orchestra~Finale | Goldsmith | 2:39 |
| 6 | Work(s)~Television Themes - Medley: The Man from U.N.C.L.E. / Doctor Ki | Goldsmith | 9:47 |
| 7 | In harm's way, film score~Suite. Intermezzo / The Rock / Final Victory | Goldsmith | 9:40 |
| 8 | Work(s)~Motion Pictures - Medley: The Sandpebbles / Chinatown / A Patch | Goldsmith | 14:26 |
| 9 | Generals Suite, for orchestra [MacArthur/Patton] | Goldsmith | 5:28 |
| 10 | Tora! Tora! Tora!, film score~Main Title | Goldsmith | 3:28 |
| 11 | Wild Rovers, film score~Bronco Bustin' | Goldsmith | 2:11 |
| 12 | Pursuit, television film score~Theme | Goldsmith | 2:22 |
| 13 | Wind and the Lion, film score~Suite. Raisuli Attacks / I Remember - Lo | Goldsmith | 9:12 |
| 14 | QB VII, television film score~Suite. Main Title | Goldsmith | 2:02 |
| 15 | QB VII, television film score~Suite. Holocaust | Goldsmith | 2:52 |
| 16 | QB VII, television film score~Suite. Visit to the Sheikh | Goldsmith | 2:14 |
| 17 | QB VII, television film score~Suite. The Wailing Wall | Goldsmith | 3:15 |
| 18 | QB VII, television film score~Suite. Kaddish for the Six Million | Goldsmith | 3:17 |
| 19 | Waltons, television score~Theme | Goldsmith | 3:58 |
| 20 | Papillon, film score~Out to Sea | Goldsmith | 3:55 |
| 21 | Police Story, television series theme | Goldsmith | 2:05 |
| 22 | Omen, film score~Suite | Goldsmith | 11:47 |
| 23 | Capricorn One, film score~Overture | Goldsmith | 3:17 |
| 24 | Swarm, film score~Suite. The Bees Arrive / End Title | Goldsmith | 7:42 |
| 25 | Boys From Brazil, film score~Suite. Waltz / The Boys | Goldsmith | 7:09 |
| 26 | Great Train Robbery, film score~Overture | Goldsmith | 4:57 |
| 27 | Alien, film score~The Nostromo / End Title | Goldsmith | 4:52 |
| 28 | Star Trek I, film score~End Titles / Klingon Attack | Goldsmith | 9:18 |
| 29 | Masada, television miniseries score~Main Themes | Goldsmith | 5:40 |
| 30 | Poltergeist, film score~Main Theme | Goldsmith | 4:18 |
| 31 | Work(s)~First Blood / Rambo II Suite: Rambo II theme / It's a Long Road | Goldsmith | 5:58 |
| 32 | Twilight Zone: The Movie, film score~Suite | Goldsmith | 6:28 |
| 33 | Under Fire, film score~Suite. Prelude | Goldsmith | 1:52 |
| 34 | Under Fire, film score~Suite. Bajo Fuego | Goldsmith | 5:47 |
| 35 | Under Fire, film score~Suite. A New Love | Goldsmith | 4:20 |
| 36 | Under Fire, film score~Suite. The Rebel March | Goldsmith | 3:16 |
| 37 | Gremlins, film score~Suite | Goldsmith | 7:43 |
| 38 | Baby: Secret of the Lost Legend, film score~Baby's Alive / End Titles | Goldsmith | 7:24 |
| 39 | Legend, film score~Faerie Dance / Reunited | Goldsmith | 7:12 |
| 40 | Lionheart, film score~Robert's Theme | Goldsmith | 4:08 |
| 41 | Rambo III, film score~Questions | Goldsmith | 3:03 |
| 42 | Total Recall, film score~Main Theme | Goldsmith | 2:35 |
| 43 | Star Trek: Voyager, television score~Theme | Goldsmith | 2:00 |
| 44 | Basic Instinct, film score~Main Theme | Goldsmith | 2:31 |
| 45 | Russia House, film score~Love Theme | Goldsmith | 5:13 |
| 46 | Gremlins 2: The New Batch, film score~Theme | Goldsmith | 5:33 |
| 47 | Medicine Man, film score~The Trees | Goldsmith | 4:14 |
| 48 | Shadow, film score~Theme | Goldsmith | 2:37 |
| 49 | Forever Young, film score~Theme | Goldsmith | 5:12 |
| 50 | First Knight, film score~Suite. Arthur's Fanfare / No Surrender / Arthu | Goldsmith | 11:11 |
| 51 | Powder, film score~Theme | Goldsmith | 4:30 |
| 52 | Air Force One, film score~Main Title | Goldsmith | 1:50 |
| 53 | L.A. Confidential, film score~Theme | Goldsmith | 4:44 |
| 54 | Mummy, film score~Sand Volcano / Love Theme | Goldsmith | 2:55 |
| 55 | Haunting, film score (1999)~Theme | Goldsmith | 2:53 |
| 56 | Star Trek: Nemesis, film score~Suite | Goldsmith | 7:40 |
| 57 | Sum of All Fears, film score~The Mission | Goldsmith | 5:43 |
Browse More Music:

Jerry Goldsmith






