The Terminator Review
As relentless as the taciturn titular villain, The Terminator (1984) established James_Cameron as a master of action, special effects, and quasi-mythic narrative intrigue, while turning Arnold_Schwarzenegger into the hard-body star of the 1980s. With a budget well under 10 million, Cameron created a dystopic, trashed future world ruled by sinister robots, before returning to a darkly ominous 1984 Los Angeles where Schwarzenegger's leather-clad cyborg fits right in. Like the adversaries in Alien (1979) and Blade_Runner (1982), the Terminator, with his computer matrix vision, embodied 1980s technological anxiety, an implacable, human-looking assassin engineered by machines and empowered through nuclear holocaust. Schwarzenegger's pumped-up physical presence, sparse dialogue, and "I'll be back" slyness rendered him both terrifying and charismatic; as with Sylvester_Stallone, his body would become his signature special effect. With a time-bending romance to temper the perpetual violence, The Terminator became a sleeper hit, powering Cameron, Schwarzenegger, and producer/co-writer Gale_Anne_Hurd to the forefront of Hollywood action movies. As Schwarzenegger's image softened by the late 1980s, Cameron resurrected him as a "kinder, gentler" Terminator in the blockbuster sequel Terminator_2:_Judgement_Day (1991). Lucia Bozzola, Rovi
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