The Detective Review
A lurid, jumbled storyline and a Frank_Sinatra-on-autopilot performance are major setbacks for this ambitious -- if reactionary -- late-'60s crime thriller. Though it predates the notorious Cruising by more than a decade, The Detective peppers its plot with the grisly particulars of a murder of a young, prominent gay man in Manhattan. As if flinching from the initially shocking material, screenwriter Abby_Mann (adapting Roderick_Thorp's bestseller) then delves into a lengthy, confusing flashback recalling hero Joe Leland's (Sinatra) relationship with his (literally) nymphomaniacal ex (Lee_Remick) and his steady ascent up the ranks of the NYPD. Police corruption, property-ownership conspiracy, and junkie pathos are all thrown in as bait-and-switch techniques before the inevitable return to the crime that opened the film, by which point, most viewers will have stopped caring. Michael Hastings, Rovi
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