Roman Scandals Review
One's enjoyment o any Eddie Cantor vehicle depends largely upon one's enjoyment of Cantor, and Roman Scandals is no exception. Cantor, a huge star in his time, is largely unknown to modern audiences, perhaps because his vehicles were often so shaky in terms of material or perhaps because his style of performance simply doesn't appeal to modern audiences. Certainly his penchant for blackface makes it difficult for many modern viewers to watch his films, and one of the big numbers in Roman is indeed a blackface number. Cantor's style is also one that grew out of vaudeville, and that may also limit his appeal nowadays. Still, for those who appreciate him, Roman is a nifty way to pass an hour and a half or so. Cantor is, as always, energetic in his special way -- brash yet cowardly, over the top one minute but underplaying the next, full of himself yet endearing. While the screenplay of Roman is merely average, the basic premise is a good one and gives the star plenty of opportunities to strut his stuff. The Harry Warren-Al Dubin score is also quite good (with some supplemental numbers by others thrown in for good measure). And Ruth Etting is on hand to perform in her inimitable manner. Throw in some delightful Busby Berkeley production numbers, nearly-nude Goldwyn Girls and a fun villainous turn from Edward Arnold, and you've got a fine time indeed. Craig Butler, Rovi
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