Joshua


Joshua Movie Review

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The psycho kid flick -- from The Bad Seed to The Good Son -- tends to wallow in precocious camp and cheap devil child thrills. George Ratliff's Joshua attempts to revitalize the genre by injecting an element of realism. When his mom Abby (Vera Farmiga) and dad Brad (Sam Rockwell) give birth to a baby girl, Joshua (Jacob Kogan) starts to worry that not only will he have to share attention with his sister, but that his flowering sociopath tendencies will alienate him from his parents. A Bartok-loving piano prodigy who is terrible at sports and a model student, Joshua is the kind of sensitive but bright young boy routinely ostracized for his intelligence. He worries about being "weird," a stranger in his own home. Could such a kid really be ripe for serial killing? At its scariest, during the slow build of off screen "accidents," Joshua plays off the neuroses of the child's neo-yuppie Upper East Side parents. Abby, acting out a kind of post-partum Rosemary's Baby, gradually goes insane trying to care for the newborn, who won't stop crying, and Brad soon follows. Is Joshua threatening the baby? Rockwell delivers the most tonally appropriate performance as Brad, the kind of well-meaning iPod sporting dad, who is sympathetic and annoyingly self-centered at the same time. There is a dirty thrill in watching his world fall apart. But the insanity quickly gets irritating. There's a lot of screeching. Whether or not a parent is acting "crazy" in a given scene is indicated by their hair sticking up in thick-gelled clumps. But the primary problem is that Joshua's psychological manipulations takes place almost entirely off screen. This works at the beginning, when the slow moving dolly shots and teasing frames play with our anxieties. But the tension never builds past the first act, there are no confrontations with the child, and all we are left with is his silent presence -- no longer enigmatic but frustratingly inert. The end result is neither realistic, campy, or scary, just boring and ridiculous. Michael Buening, All Movie Guide






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