Fatal Attraction Review

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One of Michael_Douglas' first besieged-white-male movies and a zeitgeisty late-'80s blockbuster about the need to preserve the family unit against sexual temptation, Fatal Attraction (1987) is also a slickly engaging thriller that allowed Glenn_Close to get in touch with her inner onscreen vixen. Starting off with a smooth hint of realism and excellent acting, Fatal Attraction seems on the verge of raising interesting questions about men who cheat on their wives -- especially since Anne_Archer is an appealing mate -- and the impact of changing sex roles. The trashy final act (complete with a shock death scene straight out of slasher movies), however, devolves into a repulsive yet telling portrait of career woman hysteria and Hollywood pandering that almost fatally undermines the rest of the film. Still, Close is a sexy, dangerous villainess (before she collapses into her bunny-boiling psycho mode), Douglas a believably conflicted husband, and Archer a fine, lovely wife. Director Adrian_Lyne shows an understanding of how to turn the visual screws. With the ending famously changed after test audiences booed the more downbeat original conclusion, Fatal Attraction became a huge hit and earned six Oscar nominations, including Best Picture. Lucia Bozzola, Rovi


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