Summary:
Provocateur and master filmmaker Lars von Trier received a severe critical drubbing at the 1998 Cannes Film Festival with the bitter farce The Idiots (1998), about a commune of Danish Gen-Xers who lampoon society by acting mentally challenged. Critics rebelled against the film's strident artlessness (as part of his Dogme 95 movement), its savage take on bourgeois assumptions and it... Full Summary >>

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