Ricky Jay Biography
Born: 1948
An offbeat renaissance man, Ricky Jay had distinguished himself as a magician, a sleight-of-hand artist, an author, and an archivist of unusual information, but he's become increasingly visible to filmgoers thanks to a series of choice supporting roles in notable motion pictures. Born in Brooklyn, NY, in 1948, Ricky Jay spent most of his childhood in New Jersey, where his grandfather, a professional magician, first showed him how to do card tricks. Jay made his first appearance on-stage at the age of four, when his grandfather brought him out during a performance for the Society of American Magicians. As he grew older, Jay developed a passionate interest in both magic and cardistry, as well as the stranger tributaries of entertainment history, and after graduating from Cornell University, he worked for a time as a barker and sideshow performer with a traveling circus. In the 1970s, Jay moved his act from the sideshow to night spots and theaters, performing his tricks and stunts (including spearing a watermelon with a playing card which was thrown at over 90 miles an hour) in comedy and magic clubs, and opening shows for the likes of Tina_Turner and the Nitty Gritty Dirt Band. Jay also began sharing his historical research with the world in a series of books: -Cards As Weapons (a history of card tricks as well as a guide to performing them), -Learned Pigs and Fireproof Women (about odd and anomalous figures in the history of entertainment), and -Jay's Journal of Anomalies, a compendium of information about "conjurers, cheats, hustlers, hoaxters, pranksters, jokesters, imposters, pretenders, side-show showmen, armless calligraphers, mechanical marvels, and popular entertainments." In the 1980s, Jay made the acquaintance of playwright and director David_Mamet, with whom he shared an interest in the workings of confidence games; Jay became a consultant for the original stage production of Mamet's play +The Shawl in 1985, and two years later Mamet called on Jay to play an unscrupulous card shark in his film House of Games. Jay soon became a regular in Mamet's screen productions, and appeared in six films he's directed, including The_Spanish_Prisoner and Heist. Mamet also gave Jay's offscreen career a boost, serving as director for Jay's one-man show +Ricky Jay and his 52 Assistants, which became a major hit both off-Broadway and on the road. (The show was later videotaped for broadcast on HBO in 1996; a year later, Jay would host another TV special on the history of magic.) Jay's acting work also caught the eye of filmmaker Paul_Thomas_Anderson, who cast him in small but showy roles in two of his films, Boogie_Nights and Magnolia (the latter featured Jay narrating a sequence on odd and anomalous crimes which could have come from one of his books...one of which was later shown on a library table). And Jay's research in magic has also given him another connection to the film industry: He runs a small company called Deceptive Practices, which specializes in creating trick props and illusions for the movies (their work as been featured in such pictures as Forrest_Gump, Leap of Faith, and Congo). Rovi
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