Hilary Duff:
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Hilary DuffHilary Duff Release Date: 2004 09 28 Label: Hollywood Rating: ![]() |
What a difference a year makes! In 2003, Hilary Duff crossed over from television to music with the light, effervescent Metamorphosis, a post-Britney teen pop album that kept things bubbly and cheerful. Not only was its innocence a bit of a relief after the highly charged sexuality of Britney Spears and Christina Aguilera, it was a hit, embraced by a new generation of preteens who were born in the waning days of The New Mickey Mouse Club. Despite its success, it seemed a little antiquated by the spring of 2004, when Avril Lavigne returned with a somber sequel to her trendsetting debut, Let Go, and when Jessica Simpson's little sister Ashlee turned into a star with her rock-based Autobiography, ushering in a new phase of teen pop -- one that was more mature than the bubblegum of Metamorphosis, but only in the sense that it dealt with the angst and preoccupations of early adolescence. Gone were the fluffy party tunes -- gone too was the overamped sexiness of Britney and Xtina -- and in were heavy guitars, anthemic choruses, rock beats, and songs about growing up and finding your identity. Hilary Duff and her producers were smart enough to have her go with the flow, shedding all the bubblegum trappings of her debut and releasing a second album that's a virtual companion to Ashlee Simpson's Autobiography, from its rock/dance-pop fusion to its earnest demeanor, right down to Ashlee's producer John Shanks helming a couple of tracks. This makeover may be trendy, but it's also admirable since it results in a varied, ambitious album, even if that ambition sometimes gets the better of Hilary. At 17 tracks, the album is way too long and its straight-faced seriousness can be a little oppressive at this length, particularly since Duff can't quite pull off everything she tries. While she has a likeable, girlish voice, she's not a great singer and that occasionally hurts the album -- witness how she struggles to reach her lower register on the dirge "Hide Away." Nevertheless, those very limitations are quite appealing when they're matched to the right song, whether it's a sweet ballad or on the heavy rockers, of which there are many. There's silliness here, such as the hipster putdown "Mr. James Dean," but that makes the album feel endearingly adolescent. And that's the greatest charm of Hilary Duff -- it might take itself a little seriously, it might be a little uneven, but it feels like the soundtrack to the life of a smart, ambitious, popular teenager trying to sort things out. Stephen Thomas Erlewine, All Music Guide
Tracks:
| Title | Composer | Time | |
| 1 | Fly | DioGuardi, Shanks | 3:42 |
| 2 | Do You Want Me? | DioGuardi, Gerrard | 3:30 |
| 3 | Weird | Entwistle, Swersky, Midnight | 2:55 |
| 4 | Hide Away | Bieck, Harmon, Shankel, Midnight | 3:47 |
| 5 | Mr. James Dean | DeClue, Duff | 3:28 |
| 6 | Underneath This Smile | DioGuardi, Shanks | 3:38 |
| 7 | Dangerous to Know | Marr, Midnight, Page | 3:33 |
| 8 | Who's That Girl? | Carlsson, Child, Midnight | 3:26 |
| 9 | Shine | DioGuardi, Chambers | 3:29 |
| 10 | I Am | Warren | 3:43 |
| 11 | Getaway | Bunetta, Michael | 3:37 |
| 12 | Cry | Pettus, Swersky, Midnight | 3:47 |
| 13 | Haters | Midnight, Swersky, Duff, Duff | 2:59 |
| 14 | Rock This World | Weston, Midnight, Duff, Stevens | 3:46 |
| 15 | Someone's Watching Over Me | DioGuardi, Shanks | 4:10 |
| 16 | Jericho | Midnight, Bennett | 3:55 |
| 17 | Last Song | DeClue, Duff | 3:57 |
Other Releases:
| Hilary Duff [Import Bonus Track] Release Date: 2005 Label: Hollywood ![]() |
| Hilary Duff [China Bonus DVD] Release Date: 2005 Label: Hollywood ![]() |
| Hilary Duff [Japan Bonus Tracks] Release Date: 2004 Label: Avex Trax ![]() |
| 1 - 4 of 4 | 4 Comments | |
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xtina rules 6 |
Thu Jun 26 2008 04:45:16 |
| I think that Hilary Duff is a pretty good singer i like her songs. she looks better when she has blonde hair i don't like the burnette hairstyle it makes her look bleh. | ||
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aaronsgirl1 13 |
Wed Jun 25 2008 20:06:18 |
| i think that hilary duff is a fab person, but she seemed to change after a couple of years and became more like her sister haylie. i perfered her with the blonde hair and her natural face, she was better as she was :) | ||
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Werewolf Girl_6-14-06 3479 |
Wed Jun 25 2008 16:34:53 |
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Two years have changed me so much. Two years ago, this was my favorite album and Hilary Duff was my favorite singer. I'm not even the same person now. I put all the C.Ds that I didn't care much for in a box. I realized a lot in two years. In the end, I couldn't stand Hilary Duff, and I stll don't. But in all of the anger, confusion, and epiphany, I put this C.D in that box. Today, I realized something - I like this C.D. I always have, and always will. It's not like Hilary Duff. It's so much edgier and harder and serious than the rest of her stuff. I don't like all of the songs, but I like the album overall. No matter what, I just don't like her overall, but this C.D's great. And unlike most of her songs, most of the ones on this album has meaning. However, it would've been even better if she wasn't the one singing this C.D. It isn't really her style (obviously), but more importantly, her voice just isn't right for something like this. Like the reviewer said - it's too girly and likeable for this album. This is the only album I like by Hilary Duff. And over time, I almost disliked this album as much as I dislike Hilary. But now I remember... *I like these songs - Fly Weird Hide Away Mr. James Dean Dangerous to Know Who's That Girl? I know, it's not even half of the album. But still, Hilary Duff or not, it's music. And music is what I'm obsessed with, in love with, and can't live without. | ||
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